Month: November 2014

Nature Swipes Back: The Return of an Environmentally Conscious Cinema

On a recent trip to this year’s Film & History conference I presented my current research in a paper called ‘From Sacred to Scientific: Charlton Heston’s Second Golden Age’. The fascinating post-paper discussion revolved around eco dystopian cinema, with a focus on my work on Soylent Green and Omega Man. Following a discussion of the connections between epics and science… Read more →

Pulsars, Pills, and Post-Punk: Designed for Unknown Pleasures

Since its release on Manchester’s Factory Records in June 1979, Joy Division’s debut album Unknown Pleasures (FACT 10) has captured the imagination of a diverse audience, ranging from reclusive adolescents sulking in their bedroom to celebrity scientists socialising with friends. The album has been critically acclaimed not just for the band’s distinctive musical style and sombre lead vocals performed by… Read more →